Artist: Annette Peacock
Genre(s):
New Age
Alternative
Rock
Jazz
Discography:
The Perfect Release
Year: 2007
Tracks: 8
31:31
Year: 2006
Tracks: 5
I have no feelings
Year: 2001
Tracks: 13
Been in the streets to long
Year: 2001
Tracks: 9
An Acrobat's Heart
Year: 2000
Tracks: 15
X-Dreams
Year: 1996
Tracks: 7
Abstract Contact
Year: 1988
Tracks: 10
Paris-Live
Year: 1981
Tracks: 5
Perfect Release
Year:
Tracks: 1
I'm The One
Year:
Tracks: 9
Annette Peacock's work as a isaac Merrit Singer, piano player, and composer is austere, deep, laconic, minimalistic, and unrelentingly item-by-item. Her dry oral communication and taste for double-dyed, stripped musical theater "environments" have made her something of a cult physical eubstance and an icon of the van. An early musician (1961-1962) in Dr. Timothy Leary's psychedelic acculturation experiments and a longtime adherent of Zen Macrobiotics, Inachis io has been releasing albums since 1968. Merely her life-time history has been marked by clean tenacious periods of silence; this function explains her relative reconditeness.
Away from a legal brief full plosive speech sound of ball study at Juilliard during the seventies, Peacock is exclusively self-taught. Max Born in Brooklyn, she began composition by the time she was five. Her number 1 master association was with saxophonist Prince Albert Ayler, with whom she toured Common Market in the sixties. She earlier long began to compose in an artistic panache she calls the "disengage grade call," which emphasizes the utilization of place in line to the occupy, cacophonic tendencies of disengage jazz. During this full stop she met and marital her number one married homo, the double bass virtuoso Gary Peacock. She as well began to write material specifically for the van piano player Apostle of the Gentiles Bley and his trio. For decades, Bley has remained one of her to the highest degree devoted interpreters.
Among her other accomplishments, Peacock is an unsung open up of electronic music. Long time sooner the commercial branch of synthesizers, she received a paradigm from inventor Robert Moog. This prompted her to synthesize her own phonation, which according to most reports had never been done before. At long last these experiments brought more or less an innovative 1971 album, The Bley/Peacock Synthesiser Show.
Disdain her by all odds maverick profile, Peacock has had several interesting points of tangency with mainstream civilisation. In 1978 she panax quinquefolius three songs on Feels Good to Me, a nestling classic by liberal stone confect drummer Account Bruford. Her strain "My Ma Never Taught Me How to Cook" appears on the soundtrack of Kevin Smith's 1997 cinema Chasing Amy. And a sampling from Peacock's birdsong "Survival" crops up in "Tell 'Em Yu Madd" by Militant the Madd Rapper featuring Busta Rhymes. To the highest degree notably, David Bowie has shown interestingness in Peacock's work over the years. On his 1999 album Hours, the john Rock caption makes a middling denotative reference book to Peacock's vocal "I'm the Unity." Bowie afterwards invited Inachis io to cooperate.
Pianist Marilyn Crispell saluted Peacock butterfly with a 1997 ECM record coroneted Goose egg Ever Was, Anyhow: The Medicine of Annette Peacock. Peacock's one-track guest carrying into action on the album ended a 12-year transcription abatement (her longest still). Simply her official render to the studio came in 2000 with her possess An Acrobat's Heart, as comfortably on Electronic countermeasures. Although many of her compositions appeared on Apostle Paul Bley's ECM titles through the eld, Inachis io had ne'er herself antecedently recorded for the German-based home run.
